The Last Jedi is the worst Star Wars movie ever

https://www.news.com.au/entertainment/movies/new-movies/the-last-jedi-is-the-worst-star-wars-movie-ever/news-story/fd57dd0435d18dccc1efaacab5d28f59

A LONG time ago, in a galaxy far, far away, Star Wars movies used to be good.

They featured interesting characters doing cool stuff — flying spaceships, shooting laser guns, rescuing princesses from evil space knights.

Today, under the rule of the Disney Social Justice Empire, Star Wars movies feature boring characters standing around giving cringe-worthy motivational speeches and crying.

Does anyone remember the scene in A New Hope where Luke Skywalker, sniffling as tears stream down his face, gives a two-minute monologue to Obi Wan Kenobi about his childhood and how the Evil Empire killed his uncle Owen and aunt Beru and how he hates, HATES them and they’ll never get away with it and he’s going to RESIST, as music swells and the camera cuts to Obi Wan’s face beaming with pride?

No. Owen and Beru get killed, Luke arrives just in time to find their charred bodies, looks sad for a second and tells Obi Wan, “I want to learn the ways of the Force and become a Jedi like my father.” Then he f***ing gets on with it and doesn’t cry like a [non-gender-specific person] for two-and-a-half hours.

Or what about the iconic scene in the Mos Eisley Cantina where Han Solo meets Obi Wan for the first time. “I’m just a lowly smuggler,” he giggles nervously. “I’ve never met a JEDI HERO before!” Oh wait, that didn’t happen either. Han Solo didn’t care about Obi Wan. He called him a crazy old man and laughed behind his back.

People didn’t really care about things that much in the original films. Or if they did, they didn’t stand around talking about their feelings — they just did things, and we sometimes felt things as a result. In the new movies, everyone cares about everything, and they have to tell each other all the time, and as a result the audience feels nothing. The drama is forced, but worse, it’s completely unearned.

For three movies now, following The Force Awakens and Rogue One, these characters feel like children dropped into a Disney Star Wars theme park. (Gee, why might that be?) Every two minutes they stop to remind each other they’re in Star Wars. Remember Luke Skywalker? Remember Han Solo? Remember the Force? Any second you expect them to turn to the camera and go, “Can you guys believe this!?”

When they’re not reminding each other of things that happened in previous movies or even previous scenes in the same movie, they’re talking at great length about what they’re going to do in the next scene — usually with tears in their eyes, inspirational music and the word HOPE mentioned at least twice.

There are so many things wrong with Rian Johnson’s abomination it’s honestly hard to know where to begin — the criminal waste of Luke’s final film appearance, the nonsensical plot (since when has space fuel been an issue in these movies?), completely pointless casino mission, flying space Leia, Rose’s entire character, the Phantom Menace-level awful “Resistance Kids”.

To be fair, many of the problems were inherited from J.J. Abrams’ slightly less awful predecessor — Rey the Mary Sue, emo Kylo Ren, the existence of the First Order completely invalidating the defeat of the Empire and the entire original trilogy — but Johnson somehow manages to make everything worse.

From unceremoniously killing off Snoke to dismissing the importance of Rey’s parentage to turning the ending of The Force Awakens into a literal throwaway joke by having Luke chuck the lightsaber, The Last Jedi is almost painfully self-aware in rejecting the previous film.

But in doing so, it feels like Johnson is rebooting the new trilogy in the second film. Not exactly a good sign. As terrible as The Force Awakens was, it’s made retroactively worse in the knowledge that none of the mysteries it introduces actually matter, and yet we’re stuck with these godawful characters and status quo.

One of the most annoying things was the fact that the best scene — the hyperspace kamikaze — was wasted on the worst character to ever appear in a Star Wars movie, instead of being given to Admiral Ackbar, a fan favourite and established character, who was instead killed off-screen and referenced in one line of dialogue.

Having read the glowing critic reviews, it felt like they had seen a completely different film. But then, as Meryl Streep, sorry, Laura Dern, literally turned to the camera and delivered a purple-hair speech to the Oscars crowd, sorry, spaceship, about RESISTING, everything made sense.

As bad as the George Lucas prequels were, at least they felt like they took place in the Star Wars universe. These new movies feel like a parody of Star Wars — a combination of Nickelodeon special and bad Saturday Night Live sketch.

George, we forgive you. Is it too late to bring back Jar Jar? I want off this Disney ride.

ROCKY IV (SCORE CD)

https://store.intrada.com/s.nl/it.A/id.6605/.f

At last! World CD premiere of original score from mega-hit fourth installment of wildly popular ROCKY saga, starring Sylvester Stallone as iconic boxer, with Talia Shire, Burt Young, Carl Weathers - and formidable Russian opponent Dolph Lundgren. Original album featured songs plus two excerpts from score. Intrada release offers entire score by Vince DiCola, including his arrangement of classic "Theme from ROCKY" by Bill Conti. Unleashed at last is rich score, initially for keyboards, ultimately for large orchestra. Many highlights include haunting piano/cello theme for "Apollo's Death and Funeral", powerful "Up the Mountain" sequence, dynamic "Training Montage", powerhouse "War", epic "Knockout" for full orchestra. Intrada presents score in crisp, punchy stereo mixed directly from original 24-track digital masters courtesy of Sony. Vivid artwork courtesy of MGM, enthusiastic liner notes by Daniel Schweiger. Finally, biggest gap in Rocky soundtrack series is delivered! Vince DiCola composes, produces. Jeremy Lubbock orchestrates, conducts.

 

New 'Avatar: Fire and Ash' Image Confirms Key Villain Is Back for Revenge

https://movieweb.com/avatar-fire-and-ash-image-confirms-key-villain/

While the two Avatar films released by 20th Century Studios and James Cameron thus far have centered on Jake (Sam Worthington) and Neytiri's (Zoe Saldaña) Na'vi family, other characters and mythologies have helped expand the world of Pandora. One such aspect is the plight of the Tulkuns, whale-like creatures who inhabit the waters of Pandora and are a large focus of Avatar: The Way of Water. One specific Tulkun named Payakan ended up befriending Jake's son Lo'ak, while also having a human enemy in Brendan Cowell's Mick Scoresby, a mariner who hunts down Tulkuns and harvests their bodies for priceless resources. It's now been revealed that Cowell will be returning as the character in Avatar: Fire and Ash.

As part of Empire Magazine's 'Path to Pandora' series, where the publication releases a new look at the film every month, the latest image features Mick on a boat with a robot arm and a grudge. The last time Mick and Payakan went head-to-head in the third act of The Way of Water, Payakan tore off the mariner's limb with his own steel cables. Cowell told Empire that when discussing Fire and Ash with Cameron, they decided to take the character in a darker, more vengeance-fueled direction, saying:

"What Jim [Cameron, director] and I talked about for Scoresby in this film is how he arrived as this wind-in-the-hair cowboy-of-the-seas in the last one, out to make some bank, have some laughs. He’s not in it for the wind, the hair, the laughs, or the money this time. He lost his last fight; he knows there’s this generational, ancestral hatred towards him, and so this time it’s personal. It’s destructive. And in terms of what he wants to do, it’s probably a little more violent, too."

A recurring theme for Avatar: Fire and Ash seems to be the hatred that brings out the worst in people. Whether it's Colonel Miles Quaritch (Stephen Lang) and his obsession with killing Jake Sully following the death of his own human body at the end of the first film, or the Mangkwan Clan (known as the Ash people) as the primary antagonists for the sequel, it seems a lot of characters will be fueled by their hatred. Cameron himself said that he chose the title Fire and Ash because it represents the "anger, hatred, violence" associated with fire and the "aftermath" of grief and loss represented by ash.

It will be interesting to see how big a role Payakan ends up playing in Avatar: Fire and Ash, and how the character uses their incredible size, strength, and intellect in their fight against the humans who constantly attack and exploit their kind. Payakan's friendship with Lo'ak could also be explored further, especially since the first trailer already teases tensions between Lo'ak and his father, Jake. Fans will be able to experience all the intense character dynamics and action when Avatar: Fire and Ash hits theaters on December 19, 2025.

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Grover Carr Furr III (born April 3, 1944) is an American professor of Medieval English literature at Montclair State University, best known for his books on Joseph Stalin and the Soviet Union. He has published many books on this subject.

The Kelpie by George William Joy, 1907.

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