Wednesday, July 30, 2025
Monday, July 28, 2025
On Georgia Street in Downtown Vancouver. Summer of 2018.
Georgia Street is an east–west street in the cities of Vancouver and Burnaby, British Columbia, Canada. Its section in Downtown Vancouver, designated West Georgia Street, serves as one of the primary streets for the financial and central business districts, and is the major transportation corridor connecting downtown Vancouver with the North Shore (and eventually Whistler) by way of the Lions Gate Bridge. The remainder of the street, known as East Georgia Street between Main Street and Boundary Road and simply Georgia Street within Burnaby, is more residential in character, and is discontinuous at several points.
West of Seymour Street, the thoroughfare is part of Highway 99. The entire section west of Main Street was previously designated part of Highway 1A, and markers for the '1A' designation can still be seen at certain points.
Starting from its western terminus at Chilco Street by the edge of Stanley Park, Georgia Street runs southeast, separating the West End from the Coal Harbour neighbourhood. It then runs through the Financial District; landmarks and major skyscrapers along the way include Living Shangri-La (the city's tallest building), Trump International Hotel and Tower, Royal Centre, 666 Burrard tower, Hotel Vancouver and upscale shops, the HSBC Canada Building, the Vancouver Art Gallery, Georgia Hotel, Four Seasons Hotel, Pacific Centre, the Granville Entertainment District, Scotia Tower, and the Canada Post headquarters. The eastern portion of West Georgia features the Theatre District (including Queen Elizabeth Theatre and the Centre in Vancouver for the Performing Arts), Library Square (the central branch of the Vancouver Public Library), Rogers Arena, and BC Place. West Georgia's centre lane between Pender Street and Stanley Park is used as a counterflow lane.
East of Cambie Street, Georgia Street becomes a one-way street for eastbound traffic, and connects to the Georgia Viaduct for eastbound travellers only; westbound traffic is handled by Dunsmuir Street and the Dunsmuir Viaduct, located one block to the north.
East Georgia Street begins at the intersection with Main Street in Vancouver's Chinatown, then runs eastwards through Strathcona, Grandview–Woodland and Hastings–Sunrise to Boundary Road. East of the municipal boundary, Georgia Street continues eastwards through Burnaby until its terminus at Grove Avenue in the Lochdale neighbourhood. This portion of Georgia Street is interrupted at several locations, such as Templeton Secondary School, Highway 1 and Kensington Park.
Georgia Street was named in 1886 after the Strait of Georgia, and ran between Chilco and Beatty Streets. After the first Georgia Viaduct opened in 1915, the street's eastern end was connected to Harris Street, and Harris Street was subsequently renamed East Georgia Street.
The second Georgia Viaduct, opened in 1972, connects to Prior Street at its eastern end instead. As a result, East Georgia Street has been disconnected from West Georgia ever since.
On June 15, 2011 Georgia Street became the focal point of the 2011 Vancouver Stanley Cup riot.
Saturday, July 26, 2025
Lost Decade in Japan: History and Causes
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| https://www.investopedia.com/terms/l/lost-decade.asp |
The Lost Decade is commonly used to describe a period in Japan beginning in the 1990s, during which economic stagnation became one of the longest-running economic crises in recorded history. Later decades are also included in some definitions, with the period from 1991 through 2011 (or even through 2021) sometimes being referred to as Japan's Lost Decades.
Key Takeaways
- The Lost Decade originally referred to an extended period of slow to negative economic growth, lasting almost ten years, in Japan's economy during the 1990s.
- Stagnant growth in subsequent years has led the period since 1991 to sometimes be referred to as Japan's Lost Decades.
- Misguided government policies in response to a real estate bubble are considered to be the main culprits for the Lost Decade.
- Within the US economy, the first decade of the 21st century, which was bookended by two stock market crashes, is often compared to Japan's Lost Decade.
Understanding the Lost Decade
The Lost Decade is a term initially coined to refer to the decade-long economic crisis in Japan during the 1990s. Japan’s economy rose meteorically in the decades following World War II, peaking in the 1980s with the largest per capita gross national product (GNP) in the world. Japan's export-led growth during this period attracted capital and helped drive a trade surplus with the U.S.
To help offset global trade imbalances, Japan joined other major world economies in the Plaza Agreement in 1985. In accord with this agreement, Japan embarked on a period of loose monetary policy in the late 1980s. This loose monetary policy led to increased speculation and a soaring stock market and real estate valuations.
In the early 1990s, as it became apparent that the bubble was about to burst, the Japanese Financial Ministry raised interest rates, and ultimately the stock market crashed and a debt crisis began, halting economic growth and leading to what is now known as the Lost Decade. During the 1990s, Japan's gross domestic product (GDP) averaged 1.3%, significantly lower as compared to other G-7 countries. Household savings increased. But that increase did not translate into demand, resulting in deflation for the economy.
The Lost Decades
In the following decade, Japan's GDP growth averaged only 0.5% per year as sustained slow growth carried over right up until the global financial crisis and Great Recession. As a result, many refer to the period between 1991 and 2010 as the Lost Score, or the Lost 20 Years.
From 2011 to 2019, Japan's GDP grew an average of just under 1.0% per year, and 2020 marked the onset of a new global recession as governments locked down economic activity in reaction to the Covid-19 pandemic. Together the years from 1990 to the present are sometimes referred to as Japan's Lost Decades.
The pain is expected to continue for Japan. According to research from the Federal Reserve Bank of St. Louis, recent growth rates imply that Japan's GDP will double in 80 years when previously it doubled every 14 years.
What Caused The Lost Decade?
While there is some agreement on the events that led up to and precipitated the Lost Decade, the causes for Japan's sustained economic woes are still being debated. Once the bubble burst and the recession took place, why did persist through successive years and decades? Demographic factors, such as Japan's aging population, and the geopolitical rise of China and other East Asian competitors may be underlying, non-economic factors. Researchers have produced papers delineating possible reasons why the Japanese economy sank into prolonged stagnation.
Keynesian economists have offered several demand-side explanations. Paul Krugman opined that Japan was caught in a liquidity trap: Consumers were holding onto their savings because they feared that the economy was about to get worse. Other research on the subject analyzed the role played by decreasing household wealth in causing the economic crisis. "Japan's Lost Decade," a 2017 book, blames a "vertical investment-saving" curve for Japan's problems.
Monetarist economists have instead pointed to Japan's monetary policy before and during the Lost Decade as too restrictive and not accommodative enough to restart growth. Milton Friedman wrote, in reference to Japan, that "the surest road to a healthy economic recovery is to increase the rate of monetary growth to shift from tight money to easier money, to a rate of monetary growth closer to that which prevailed in the golden 1980s but without again overdoing it. That would make much-needed financial and economic reforms far easier to achieve."
Despite these various attempts, Keynesian and Monetarist views on Japan's extended economic malaise generally fall short. Japan's government has engaged in repeated rounds of massive fiscal deficit spending (the Keynesian's solution to economic depression) and expansionary monetary policy (the Monetarist prescription) without notable success. This suggests that either the Keynesian and Monetarist explanations or solutions (or both) are likely mistaken.
Austrian economists have, on the contrary, argued that a period of extended economic stagnation is not inconsistent with Japan's economic policies that throughout the period acted to prop up existing firms and financial institutions rather than letting them fail and allowing entrepreneurs to reorganize them into new firms and industries. They point to the repeated economic and financial bailouts as a cause of—rather than a solution to—Japan's Lost Decades.
What Is Japan's GDP Growth Rate?
As of the first quarter of 2024, Japan's annual GDP growth rate stood at a negative 0.2 percent compared to the same period one year prior. This indicates that the country's GDP contracted slightly rather than growing.
How Big Is Japan's Economy?
As of 2024, Japan boasts the world fourth-largest economy, behind the United States, China, and Germany.The country's economy is characterized by a strong manufacturing sector and exports.
What Is Japan's Lost Generation?
The "Lost Generation" is a concept closely related to Japan's Lost Decades. The term refers to those Japanese university graduates who entered the economy during the employment freezes characteristic of the Lost Decades. This primarily includes people who graduated in the 1990s and 2000s. As a consequence of these circumstances, members of the Lost Generation may have had to take on low-wage temporary work over stable employment with robust retirement benefits—teeing up a potential pension crisis for the nation.
The Bottom Line
The Lost Decade, also known as the Lost Decades, refers to an extended stretch of economic stagnation in Japan beginning in the early 1990s. This era of poor economic performance has been characterized by low GDP growth, recessions, and deflation. Economists have posited multiple hypotheses to attempt to understand and explain the root causes and potential solutions of Japan's economic downturn.
Russia's Loss of Generals Shows 'Amazing Incompetence': Stavridis
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| https://www.newsweek.com/russias-loss-generals-shows-amazing-incompetence-stavridis-1702517 |
James Stavridis, the former NATO supreme allied commander for Europe, said Sunday that Russia has displayed "amazing incompetence" noting the several Russian generals that have died since the beginning of the invasion of Ukraine.
"In modern history, there is no situation comparable in terms of the deaths of generals," Stavridis said during a radio interview on WABC 770 AM. "Just to make a point of comparison here, the United States in all of our wars in Afghanistan and Iraq...in all of those years and all of those battles, not a single general lost in actual combat."
The former commander added that "on the Russian side, in a two-month period, we have seen at least a dozen, if not more Russian generals killed. So amazing incompetence." He also criticized other aspects of the Russian military's performance, by saying that they have an "inability to conduct logistics" and "bad battle plans."
He also noted the loss of the Moskva, a Russian warship that the Pentagon said Ukrainians sunk with a missile last month. The loss of the ship was a $750 million hit to the Russian military, according to an analysis by Forbes Ukraine.
"It's been a bad performance by the Russians thus far," Stavridis said.
In late April, Newsweek compiled a list of several Russian generals who had been killed during the war. These include Major General Andrey Sukhovetsky, who served as the commanding general of Russia's 7th Guards Airborne Division and deputy commander of the 41st Combined Arms Army, and was reportedly killed by sniper fire in February. Vladimir Frolov, deputy commander of Russia's 8th Guards Combined Arms Army, was also reportedly killed last month.
A European diplomat, who spoke with Foreign Policy on the condition of anonymity about the deaths of Russian generals in March, said the failure of communications equipment has made them vulnerable.
"They're struggling on the front line to get their orders through," the diplomat said. "They're having to go to the front line to make things happen, which is putting them at much greater risk than you would normally see."
In an interview with ABC News last week, former U.S. ambassador to NATO Douglas Lute said he believes Russian forces can't seize the Ukrainian capital city of Kyiv or replace Ukrainian President Volodymyr Zelensky's government.
"Putin is trying to assess what might be possible and looking for opportunities and he'll grab the first good one available. Right now, there don't seem to be many good opportunities for Vladimir Putin," he said.
Thursday, July 24, 2025
The Czech Equate Nazism with Communism
The Czech president has signed an amendment essentially equating communism with Nazism.
Tuesday, July 22, 2025
Charles Darwin (1809-1882)
Charles Robert Darwin was born in Shrewsbury on February 12, 1809, the fifth chilod of a wealthy family. He studied at Edinburgh and Cambridge, and in 1831, was recommended as an unpaid naturalist on the HMS Beagle, which was about to embark on a surveying expedition to South America. His studies on this voyage formed the basis for much of his later work on evolution and natural selection.
Darwin married his cousin Emma Wedgwood in 1839. They had 10 children, 3 of whom died in infancy. He lived in Kent, studying flora and fauna, and in 1859 published his magnum opus, The Origin of Species by Means of Natural Selection. He continued his studies despite ill health, and published many other works. He died on April 19, 1882, and was buried in Westminster Abbey.
This chapter explores the question: Did Darwin meet the criteria for Asperger Syndrome (Gillberg, 1991) or schizoid personality, or, indeed, was he simply a loner? (Wolff, 1995).
Family and Childhood
Darwin's paternal grandfather, Erasmus Darwin, was a well-known intellectual who was “as gifted in the field of literature as he was in science ... the archetypal gentleman polymath of his era.” Darwin’s maternal grandfather was the pottery magnate Josiah Wedgwood; both grandfathers were members of the Lunar Society, “a collection of wealthy men interested in machines and mechanical devices who met monthly at the time of the full moon’ (White & Gribbin, 1995, p. 4).
Charles’ father, Robert, was born in 1766. A “larger-than-life character,” he had a large medical practice in Shrewsbury, and was “in turns kindly and severe” (White & Gribbin, 1995, pp. 5, 6). He married Susannah Wedgwood in 1796.
As a young boy Charles became a “great hoarder, collecting anything that captured his interest, from shells to rocks, insects to birds’ eggs” (White & Gribbin, 1995, p. 6) and liked to go on long solitary walks (on one of which he was so deep in thought that he fell into a ditch) (Desmond & Moore, 1992).
His early childhood was a lonely time. On one occasion he beat a puppy because of the “sense of power it gave him” (White & Gribbin, 1995, p. 7). The death of his mother in 1817, when he was 8 years old, disturbed him greatly. His father became depressed and decreed that Susannah’s death not be mentioned, so Charles had no opportunity to express his emotions on the matter.
One of Darwin’s daughters, Elizabeth, may have shown signs of Asperger Syndrome. According to White and Gribbin (1995), “She never married and was content to live at home and to do odd jobs around the house and garden. A quiet and retiring child, she grew into a taciturn and reserved adult” (p. 237).
Social Behavior
As a child, Charles played solitary games in the vast family home. He was always something of a loner, and was noted to have an isolated, introspective nature. Young Charles detested the regimented learning of school; he would dash off afterwards and spend the evening at home, in his own room, although this was not allowed and he would have to run the mile back to school before locking-up time. His classmates regarded him as “old before his time and a very serious fellow” (White & Gribbin, 1995, p. 9).
Around his 30th birthday he considered marriage. “In his usual analytical fashion he drew up a list of pros and cons to assess the situation.” He was concerned that “marriage would stifle him, prevent him from travelling if he decided he wanted to, that it would hinder his work by occupying too much of his time and that children might disturb his peace. It was an entirely selfish list of good and bad points, with scant concern for love or emotion; a purely scientific, pre-experimental treatment” (White & Gribbin, 1995, pp. 112-113). Despite his shyness and gentlemanly demeanor, he began to form a relationship with his cousin Emma Wedgwood, whom he had known since childhood.
Darwin was a great thinker, but had very little self-confidence. He was “a very humble man, totally dedicated to his studies, a scientist who worked meticulously and in solitude” (White & Gribbin, 1995, p. 2).
Narrow Interests/Obsessiveness
Throughout his life, Darwin was prone to obsession with particular living creatures. These included, at various times, orchids, beetles, barnacles, and earthworms. Science fascinated him from the age of 10. On holiday in 1819, he “spent most of each morning wandering off on his own to watch birds or to hunt for insects. Hours later he would return with specimens and spend the rest of the afternoon and early evening bent over his finds, devising methods of cataloguing them and trying to ascertain the species to which the various creatures belonged” (White & Gribbin, 1995, p. 10). He also spent hours poring over books about natural history in his father’s library. After he and his brother Erasmus set up a science laboratory at their home, Charles was given the nickname “Gas” at school. He spent most of his allowance on buying the latest gadgetry and chemicals for his hobby, and continued with his experiments alone after Erasmus left for Cambridge. The brothers kept up a correspondence that was “full of chemical chat ... leaving little room for comment on family matters” (White & Gribbin, 1995, p. 11).
In his teenage years, Charles “displayed an insatiable desire to kill birds of any variety ... It was a peculiar obsession,” according to White and Gribbin (1995, p. 12). He also liked to slaughter small animals, even though he was squeamish as a medical student and hated dissection. His father commented that he “cared for nothing but shooting, dogs, and rat-catching” and that he would “be a disgrace to himself and all his family” (White & Gribbin, 1995, p. 13). At Edinburgh University, he spent an inordinate amount of time reading the latest scientific, medical, and political literature. He frequently went off into the country from Edinburgh to collect specimens, neglecting his medical studies to follow his obsession. When he found a genuine interest, he would pursue it with an unmatched intensity.
At Edinburgh, Darwin began his life-long fascination with geology; while studying at Cambridge, he developed a “new obsessive fascination with entomology, and in particular, beetles” (White & Gribbin, 1995, p. 21). He then became very interested in botany. On the Beagle expedition, he studied the wildlife of the Brazilian jungle and was particularly fascinated with the beetles and other insects living on the jungle floor. He began collecting fossil remains, made “detailed observations of flora and fauna and when he was not collecting wildlife, he doggedly hammered away at rock faces” (White & Gribbin, 1995, p. 62). The voyage lasted more than four years.
In 1846, Darwin started to study the barnacle, “a task which occupied almost all of his time for the next eight years” (White & Gribbin, 1995, p. 144). Although his health was bad, he had deliberately chosen to cut himself off from the world to concentrate on this arduous, tedious work, which involved using a microscope for hours at a time — each of his “beloved barnacles” was the size of a pinhead. He published four volumes on them, two describing living species and two describing fossil species. In the 1870s, he turned his attention to earthworms and the way they affect the environment, keeping thousands of them in jars in his study and greenhouse, and conducting experiment after experiment on them. He published a book and 15 scientific papers on earthworms.
In his autobiography, Darwin stated, “I think that I am superior to the common run of men in noticing things which easily escape attention, and in observing them carefully”; he also stated, “My habits are methodical” and referred to his “unbounded patience in long reflecting over any subject — industry in observing and collecting facts” (White & Gribbin, 1995, pp. 300-301).
Routines/Control
Darwin led his life in a highly organized fashion, rarely altering his routine. As the children began to leave home and Charles and Emma grew older, the pattern of their lives became even more mechanical and regulated.
During middle and old age, Darwin walked the same path almost every day on a strip of land near his house, surrounded by a gravel path. When he first formed the habit, he used to count the number of times he completed the circuit, kicking a flint onto the path at the end of each lap. It was on these walks that Darwin did most of his thinking: “Counting the laps and kicking the markers was all part of the mantra guiding the pattern of his thoughts” (White & Gribbin, 1995, pp. 259-260). Every night after dinner, Darwin played two games of backgammon with Emma. They kept a running score: At one point he was able to report that he had won 2,795 games while she had won only 2,490.
Darwin’s extremely thorough and methodical cataloguing of his specimens might suggest an urge to establish control over the chaotic diversity of nature.
Language/Humor
There is no evidence that Darwin had problems in these areas. His writings are of a very high standard.
Lack of Empathy
Darwin's clinical views on the meaning of human existence and the primacy of “truth,” as he saw it, made it difficult for him to be flexible or to compromise, even where the feelings of others were concerned. For example, he took a casual attitude to his own wedding. He appears to have regarded the ceremony as rather silly, showing little regard for the feelings of Emma or the two families. There was no proper reception; instead, he “whisked Emma off to the railway station with almost indecent haste and in so doing antagonized a number of relatives” (White & Gribbin, 1995, pp. 115-116).
Darwin “always had the habit of reducing everything to its fundamentals, of parrying all arguments with cold scientific logic” (White & Gribbin, 1995, p. 114). This made it difficult for Emma to explain her views on religion to him: She had to resort to writing him letters, in which she could pour her heart out and describe her feelings without clashing over meaning. In 1873, his method of writing to Huxley over some money that Huxley needed was more than a little clumsy, in Emma’s opinion — further evidence of a lack of empathy.
Naivety/Childishness
Darwin was extremely slow to publish his theory of evolution and was unnecessarily cautious. While he delayed, the Welsh naturalist Alfred Russel Wallace came up with a similar theory. Darwin had been warned repeatedly that this could happen if he did not publish but apparently failed to perceive the danger.
Motor Skills
There is no evidence that Darwin had any difficulty in this area.
General Health
Darwin suffered from depression, especially after the death of his daughter Annie in 1851; he wrote to his colleague Joseph Hooker in 1875 expressing a “semi-serious desire to commit suicide” (White & Gribbin, 1995, p. 270). He was plagued by a succession of illnesses throughout the second half of his life: It was suggested that he suffered from multiple allergies and was hypersensitive to heat.
Conclusion
As far as Gillberg’s (1996) criteria for Asperger Syndrome are concerned, Darwin does not meet the speech and language or the motor clumsiness criteria. However, according to Gillberg, motor clumsinessmay may be less a feature of high-IQ persons with Asperger Syndrome.
Neither abnormalities of speech and language nor motor clumsiness are necessary for a diagnosis of Asperger disorder under the Diagnostic and Statistical Manual of Mental Disorders (DSM-IV; American Psychiatric Association, 1994) classification; therefore, Darwin meets the criteria for Asperger disorder, which is broader in its definition than Gillberg’s criteria.
Did Darwin have schizoid personality disorder? Though he had a detachment from social relationships, it was not pervasive, and he was a family man. Certainly, he chose solitary activities and took pleasure in these activities. He was not indifferent to criticism and did not show emotional coldness. Therefore, he did not meet the criteria for schizoid personality disorder, as defined by DSM-IV.
Did he meet the criteria for “loner” (schizoid personality) as defined by Wolff (1995, 1998)? He did demonstrate the following relevant features: social isolation and idiosyncratic behavior, high IQ, empathy problems, increased sensitivity, and single-minded pursuit of special interest. Ssucharewa (1926) noted that such persons tend to come from gifted families; Darwin’s family was certainly gifted.
Regarding schizoid personality in childhood, Wolff (1998) noted that such children’s special patterns were often sophisticated, quite unlike the simple, repetitive, stereotyped behaviors and utterances of autistic children. This applies to Darwin. Indeed, when Wolff followed up her loners, she found that two exceptionally gifted children — a musician and an astrophysicist — were able to transform their special interests into useful contributions to society, like Charles Darwin.
Family history studies are necessary to elucidate the link between Asperger disorder and schizoid personality. It is possible that great creative achievement, such as that of Darwin, is a much more difficult task without a capacity for solitariness and extraordinary focus on a specialized topic.
- Michael Fitzgerald, Former Professor of Child & Adolescent Psychiatry
Silent Hill 2 the Obligatory Remake | Review
This trend of publishers "remaking" their legacy IPs of the past is not going to stop or even slow down. It'll probably accelerate until they are literally out of source material. And the reason why is that we, as gamers, are in depression both creatively and economically. We have long past the point of running out of new ideas. We are now actively avoiding new and original design concepts because the risk involved is simply too high. Even if a developer, like Konami, wanted to make original Silent Hill games, they no longer have the staff nor the ability to justify any untested ideas to their shareholders. Capcom are the same way, just in a less desperate situation overall. This is a reality that everyone involved in gaming seems to recognize deep down, whether consciously or unconsciously.
So the new meta has become to take established games of the past and to leverage their reputation to market a new fleet of safe, accessible, commercially viable "remakes." Capcom have been extremely successful in doing this with Resident Evil, so it makes complete sense that Konami would follow the formula for their own Silent Hill series.
What seems to be lost in the conversation around these remakes, or maybe purposely ignored, is the artistic legacy of the original games is not being respected and is often actively belittled in the marketing of the new game. Gaming has never been too bothered about artistic integrity, but when it comes to critical analysis of games like Silent Hill 2 Remake, I think there needs to be a more holistic discussion of the debt these remakes owe their source material it terms of their overall design, rather than just treating the original game like a costume that the latest Last-Of-Us-Like can slip on and then pass itself off as somehow representative of the original game.
Ironically, the only backlash Remakes ever seem to face is when they change the story and aesthetic elements of the original game, rather than the core gameplay systems and level design. In fact, the more the new remake eliminates the unique aspects of the original (like fixed camera angles and tighter pacing, in OG Hill 2's case) the better. And if the new elements of the remake are under-developed or fairly basic, like this remake's are, then that's fine too because it's all a net improvement anyway, right?
The challenge I've come up against, that I think a lot of other reviewers more critical of these remakes face, is that just talking about the topic generally is cute and everything, but what really matters is taking these concepts and actually applying them in real game reviews. Some sort of method of analysis needs to be developed, which I demonstrate the best I can in this review, because otherwise every other gaming outlet (most of them literally owned by IGN now) will just treat the remake as a product and declare it a masterpiece for following the remake formula so well.
The most coherent standard I can think of when it comes to my Remake reviews is to hold them up to what they should faithfully represent and build upon from the original game (including its unique mechanics) and also how well the "modernized" elements of the game hold up on their own terms, without the excuse of "being faithful" to the original game. None of this is faithful, let's be honest. So if it's not faithful, at least make it good.
Sunday, July 20, 2025
Friday, July 18, 2025
Wednesday, July 16, 2025
In Davie Village in Downtown Vancouver. Autumn of 2018.
Davie Village (also known as Davie District or simply Davie Street) is a neighbourhood in the West End of Vancouver, British Columbia, Canada. It is the home of the city's gay subculture, and, as such, is often considered a gay village, or gaybourhood. Davie Village is centred on Davie Street and roughly includes the area between Burrard and Jervis streets. Davie Street—and, by extension, the Village—is named in honour of A.E.B. Davie, eighth Premier of British Columbia from 1887 to 1889; A.E.B's brother Theodore was also Premier, from 1892 to 1895.
Along Davie Street are a variety of shops, restaurants, services, and
hotels catering to a variety of customers, in addition to private
residences. The business with the most notoriety is Little Sister's Book
and Art Emporium ("Little Sister's"), a gay and lesbian bookstore,
because of its ongoing legal battles with Canada Customs that have
received extensive national media coverage. Many businesses and
residents along Davie Street and in the West End generally also fly
rainbow flags as a symbol of gay pride, and many of the covered bus stop
benches and garbage cans along Davie Street are painted bright pink.
Monday, July 14, 2025
This Is Marina City
The Portland Cement Association of Skokie, Illinois produced this film in 1965. Narrated by former WGN Chicago radio announcer Walt Newton, the 19-minute film describes how Marina City was planned, constructed, and utilized.
Saturday, July 12, 2025
Thursday, July 10, 2025
Why I HATE Remakes (And You Should Too)
I still remember the very first time. I played Silent Hill 2 I was standing with my friend in front of my giant CRT TV, as I watched James have his final Revelation and revealed the lore that he had been the one who killed Mary I was left completely Breathless. Then James left the room that he and Mary had shared into the hallway of the Lakeview hotel. And this song started to play That this moment I realized that Silent Hill 2 was undoubtedly. One of my favorite games I'd ever played that was probably seven years ago at this point, but I still come back in place on hell too about once every year, and every time I'm a stash at what an amazing game, it is. So you would think that when I heard that sound too, was getting a remake, I would be ecstatic but I wasn't. I was just completely and I don't really disappointed. I hate remakes and it's not just because I'm some Boomer who wants to hate on new things. When I heard that silent 2 is being remade, it was like a stab in the heart. I stayed quiet though. Then I saw that both Persona 3. And Metal Gear Solid three were both being remade as well, instantly, I thought of all the people who would be robbed of playing the original versions of these amazing games. Countless people will play the remix and think they've gotten the true experience. And now there's no need to play the original game. This is because remakes at their heart, our intended to replace the original game. They have never in any way promoted playing the original game, because why would they create it to supply the original game and make large video game developers more money. So I'm buying a used, copy of Metal Gear, Solid 3 for forty dollars, nice, Konami zero money and that's why remix are made. Many people said that. They have played Resident Evil one, but ding deeper. How many of them have actually played the PS1 version versus the Remake that came out years later, if they have played the Remake, how many of them actually felt the desire to go and play? The PS1 version doesn't even want to remake. Absolutely. So planted the original PS1 version, but this Fair base of thought, that remix can replace the original games, couldn't be further from the truth. Fundamentally video games are a form of art, no matter what the idiotic Boomers say about them. They're absolutely artistic Expressions that can touch people deeply. With that said, it's a complete up front to their artistic expression to think that they need to be remade for modern audiences. Would it ever be suggested that the Mona Lisa be remade for modern audiences? Absolutely not. Well, some idiots, might try, but fundamentally art is a product of its time and that's why it shouldn't be completely remade from the ground up, to appease modern audiences. Looking at a good piece of art is like traveling back in time in video games are no exception to this. When you look up a PS1 game and that's startup sound hums. And you see this scanlines on your CRT, it's like being right back in the 1990s when we mixed place, the original game as they sell often do. We're robbing Gamers of these amazing experiences. Even putting the experience of playing these old games. Aside, many remakes are just plain, not as good as the original games, many of them, cut huge, swaths of content from the original game. For example, the Resident Evil 2 remakes bee snares being complete. Carbon copies of the, a scenarios. Unlike in the original game where there's completely new content, another example is the Resident Evil 3 remake completely cutting the clock tower, which was a huge part of the original game. Many remix also make completely unnecessary changes and fundamentally misunderstand the story that they're presenting likely because these remixes are made by people who had no connection to the original games whatsoever these, same people are all. So always the ones who cannot help but inserting their own political opinions into their Twisted, version of the original game, every time I see a remake, I can't help. But think of the countless hours of their heart and soul the original Dev team, put into making a work of art and now it's all being erased by people who don't understand the game at all the signal 2 remake hasn't even come out yet. He had the original artwork is already being erased by remake artwork. The point is that the end of the day or should absolutely be preserved in its original form when Developers Create remakes in a misguided attempt to reimagine games for the modern audience there's just simply so much to lose with so little to gain its never games that had a good potential but just weren't executed right there. Being remade, it's always the most critically acclaimed games of all time that regarded by many as masterpieces. Just look at the Metacritic for Silent Hill. 2, Persona 3 and Metal Gear Solid 3 remakes aren't made to improve upon games that miss out on their potential. They're created the cash in on brand recognition, the games are being remade. Nowadays are close to perfect and almost every way. So the fact that people are excited for these remakes is flabbergasting when a perfect game is remade. There's so much to lose in story, Atmosphere music and gameplay with relatively so little the game and that game is pretty much only in the graphics Department. Do people really care about Graphics so much the most unimportant transitory part of a game. If Graphics mattered half as much as they're made out to nowadays games, like Gotham Knights would be regarded as masterpieces but they're not because Graphics mean absolutely nothing when it comes to how good a game actually is. When it comes to visuals, the art style of a game is so much more important than the actual graphical. Fidelity to be clear. It's not bad to improve A Game's Graphics. There's no problem with something like a remastered when it's done, right? The Silent Hill 2, enhanced Edition is regarded by many as a definitive way to play the game. And it's basically a remaster at this point with how much they've improved the graphics from the original, but it remakes are not the same as a remaster. They shouldn't even be called remakes when they're really reimagining of the entire game. Most of the time. Nothing will ever make sense about why people would want games that are so close to Perfection completely reimagined from the ground up, why mess with perfection? Let's be honest as well with blue team in charge of Silent Hill 2. There's so much our probably messed up Carrie. I'm okay, both ever seen the project. There is some hope, the thing is that remix are paradoxical in and of themselves it makes little to no sense that people who actually enjoy these games would be calling them to be remade. These people really The games. If they truly love these games, they were just go back and play them if they really wanted to experience the game again. It really only makes sense to someone didn't like the game that they would ask for it to be remade if they simply wanted better graphics. They were just have asked for a remaster if a person thinks that a game should be completely reimagined from the ground up. How can they call themselves a fan of that game? A remake will never just be a graphical Improvement. When again that's 20 years old like Metal Gear, Solid 3 is remade, it'll be changed in a myriad of ways. Besides the graphics that atmosphere General art design gameplay and thought process behind the game will be changed. Especially when the Mastermind behind the entire series is no longer involved in creating the games. The Paradox of remaking games is that because true fans of the game, love the game deeply, they would never want to change. If someone dislikes, the game and wants it to be remade, to fit their taste. How can they truly be a fan of the game yet, everyone knows that these remakes are not made for the real fans. These remakes are made for people who either pretend to be fans to fit in or a secondaries from something like dead by daylight. They saw the design of pyramid, head and thought he was cool looking, but never actually played the game because they have never given retro games. A chance. This is probably an overly harsh generalization there. Likely some people who also just kick caught up in the hype for the shiny new game. When I criticized the Dead Space remake, I got a lot of flack and it's very likely. A lot of those people had indeed played the original even though the Dead Space remake changed May significantly were caught up in shiny new graphics and assisted that these crystals are wrong. That these are improvements. But if you need all these changes to enjoy the game, were they really even fans in the first place? The people making remakes Karen either about the games. They're making nor the original fans of the series. The care only about money. This is why constantly in the phrase updated for the modern audience is thrown around. What about the original audience? Who love the game there? For the most part complete disregarded and the game was changed to the widest, possible modern audience. and stuff, I not a bad thing for games to appeal to a lot of people, but many games lose their core Vision, trying to appeal to a broad, modern audience, With something like Silent Hill 2. It's a horror game. It's meant to be scary. Scary games can be off-putting to many people. I'm not saying this will happen, but many times remakes lose their core Vision by trying to appeal to a broader audience and lose their true fans along the way, for example, Resident Evil 3, which is a scary horror game became just another action shooter. When I was remade Jill and Carlos blasted their way through the enemies and Nemesiswas a completely toothless villain that never wants to still fear, like he had in their original. Not only makes often lose their core vision for the game, but they often completely erase the context of the games. Since he makes her only made the most critically, acclaimed games the offense remake games that were sequels in a long series, the people who played Silent Hill, 2 remake loves zero contacts, as to what the town of Silent Hill even is. They'll have no idea about the cult or what happened with the left side. If they do, explain this, it will be through an exposition dump. They have nowhere near the gravity of playing the original game. Something else that has almost never talked about is that the gravity of the twist at the end of Silent Hill, 2 is exacerbated, so much by having played the original Silent Hill. First. In Silent Hill, the protagonist is Harry Mason. And every man who is just searching the town for his adopted daughter, at the end of the game, he rescues his daughter from an evil cult. So when Gamers first started Silent Hill 2, they expected the same exact thing. Surely James was a good guy, just looking to save his missing wife from the cult as well. I'm not sure if it was just me, but never heard me that James could be, the bad guy that he could be the one who killed his wife. Until I watched that tape, I'm sure that my perception. There was largely influenced by playing Silent Hill one first. So, twist at the end of the game, truly was mine blowing for me the first time I played it and it was a masterful, subversion of the players expectations. I could go on about how remakes race, the contacts of games, the people who played Metal Gear, Delta as their first Metal Gear Game loves zero contacts to big bosses are who Assad is, and why they're significant in any way and used to be that playing retro games as a badge of honor and Gamers were encouraged to start at the beginning of a serious, to understand the full context. Now, remix have taken over and they're racing, both the original experience and the context of these great series as well, The worst part of remix though. Beyond question has to be the way that they're creating stagnation within the gaming industry, when I saw the Silent Hill F trailer, I was so excited a new game in the Silent Hill IP so that looks fresh and original with a completely different, take on silent hill that I've never seen before. But was that what anyone was talking about? Of course it wasn't, it was just people fawning over the Silent Hill 2 remake most gamers are likely forgetting that there was an error where critically acclaimed original AAA games were coming out monthly that are revolutionizing gaming games ever completely new IPS. I did things completely differently. Even Silent Hill 2 is a perfect example. The story of Silent Hill 2 was completely different than Silent Hill. One. This Monster's eyes were completely different as well. In fact, there was so different that the game got some backlash when I first released in Japan. But these rest for absolutely worth taking as they give us some of the greatest games of all time, for great games to be made, creativity has to be allowed to thrive and developers need to allow new ideas to come to the Forefront. Nowadays though. Santa's companies are so risk-averse that they prefer to just keep pumping out the same boring formulaic trash. They stick to remix because they know it's a guaranteed return on investment the cash in on their brand recognition to rehash, the same games over and over. Again, gaming has become something that is dictated by the shareholders. And some of the creative minds as a cycle of rehashing. Old favorites continues and well, not only destroy Retro Gaming as more and more people decide to play remakes, and never give the original a chance, but it'll also destroy the modern gaming industry. Gamers will get less and less original content and developers become more and more risk-averse. Scientists take the easy money from cashing on remakes instead of giving us new original games that could even be held in the same breath as a game like Silent Hill 2. Hey guys, thanks so much for watching. Let me know in the comments. What you think you enjoy remix or do you agree that they're rooting. The gaming industry. If you liked the video make sure to like, comment, subscribe, if you just like to make sure to drop a dislike and leave a hateful comment as always, I love you boys. Thanks again for watching and I'll see you boys next time.
- LuckyStrike1917
Tuesday, July 8, 2025
On Robson Street in Downtown Vancouver. Summer of 2018.
Robson Street is a major southeast-northwest thoroughfare in downtown and West End of Vancouver, British Columbia, Canada. Its core commercial blocks from Burrard Street to Jervis were also known as Robsonstrasse. Its name honours John Robson, a major figure in British Columbia's entry into the Canadian Confederation, and Premier of the province from 1889 to 1892. Robson Street starts at BC Place Stadium near the north shore of False Creek, then runs northwest past Vancouver Library Square, Robson Square and the Vancouver Art Gallery, coming to an end at Lost Lagoon in Stanley Park.
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