https://slate.com/culture/2015/09/charles-lutwidge-dodgsons-photographs-are-collected-in-the-photographs-of-lewis-carroll-a-catalogue-raisonne.html |
Lewis Carroll is known for his beloved classic Alice’s Adventures in
Wonderland, but fewer people know Charles Lutwidge Dodgson’s—Carroll’s
real name—other great contribution to the arts: photography. In his book
The Photographs of Lewis Carroll: A Catalogue Raisonné, which the
University of Texas Press published in August, Carollian scholar Edward
Wakeling corrects that. For the first time, it collects all of
Dodgson’s known photographs in one place.
Dodgson was a
perfectionist in all of his pursuits, so when he first took an interest
in photography he became determined to master it. He acquired a folding
Ottewill camera, learned the wet collodion process, and studied the work
of other artists. In photography, as well as in writing, Dodgson valued
simplicity. He wanted viewers to concentrate on his subject’s face, not
the background. As a result, he avoided the extraneous furniture,
draped curtains, and vases of his peers. Instead, he mostly used a plain
blanket or a wall for a backdrop.
“This is mirrored in Dodgson’s
writing. His use of language is straightforward—there are no long
descriptive passages in the Alice books. In the main his style is
narrative. He tells a story,” said Wakeling.
Like many Victorian
photographers, Dodgson took a range of images, but his main focus was
portraiture, and his special talent was making his sitters look natural
and comfortable. Exposure times could be as long as 45 seconds back
then, and sitters had to remain perfectly still to avoid motion blur.
This made photographing children particularly challenging, since they
are not patient sitters. But Dodgson kept them engaged by telling them
stories. Among his subjects was Alice Liddell, the girl who inspired his
heroine in the Alice books.
“He was a born storyteller. They
would listen intently and he would capture the moment. He made the
experience of being photographed as enjoyable as possible, as some of
his sitters recorded afterward,” Wakeling said.
Dodgson’s diaries
recorded virtually all his photographic activity, but his register of
photographs is now missing. Over 20 years, Wakeling has done his best to
reconstruct it. He searched the collections at Princeton University and
the University of Texas at Austin during month-long research
fellowships. He spent time at Christ Church in Oxford, England, and the
National Portrait Gallery in London to look through albums. The Dodgson
family showed him photographs and gave him information about photographs
that had been sold; he also contacted private collectors through the
Lewis Carroll Society, searched auction records and collected books on
Victorian photography. Gradually, he assembled a database of all known
images.
Carroll stopped taking photographs in 1880 in order to
focus on writing and other academic pursuits. But his decades in
photography were quite productive. He took 3,000 photographs; of these,
nearly 1,000 have survived.
“There are still photographs that
have not yet come to light; I hope this book will result in some
appearing that we haven’t yet seen. Family archives and attics need to
be searched. I am sure there will be many people who have not
appreciated that the writer of Alice’s Adventures in Wonderland was also
an important early photographer.”
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